

SABI PICTURES begins a theatrical tour of event screenings in August 2010 for WHITE KNUCKLES and HEART OF NOW. This is your opportunity to REQUEST to see these feature-length motion pictures at an event in your neck of the woods. Simply fill out the form to the right and confirm the email you receive to add yourself to our map. Encourage your friends and neighbors to do the same and if the demand is there, we’ll bring the SABI event tour to you. If you want to be removed from our list, type in your email address and click “Remove”. Either way, we’ll send you one confirmation email immediately to make sure this is really you.
When my father died, I was 19. The two of us had a great deal of unfinished business between us. This film grew out of unsettled emotions and the distress I felt from being left by someone who I hadnʼt known life without. “Heart of Now” is a love letter to him, allowing me to say that I would like to forgive him for his faults and free myself from the influence of his absence.
On “Heart of Now”, the process of shaping this film began with the screenplay. The words were treated as a guide. They were there to inform, to spark discussion, to provide a point of departure for the charactersʼ natural evolution.
We followed our creative intuition to prepare for the journey, but still had plenty of “mystery” left to discover on set. With our attention very much present to these characters, we began to shed light on their brokenness, understanding a bit more of that mystery each day.
The crew and I provided a safe, nurturing environment for the actors to explore the hopes, longing and loneliness of their characters – so we could capture their humanity truthfully and without judgement. And it resided with all of us to ask if we could go deeper, if there was more for us to explore, so that we could walk away with an understanding that none of us could have discovered alone.
Finally, it fell to the editor to re-discover this film within the 50 hours of improvised material we amassed by exploring every option and honoring the most truthful and compelling elements of that process.
The title of this motion picture is an illustration of being in the present moment – a point when our attention is so true that we lose and transcend ourselves. Our hope is for an audience to discover the same relevance that we did and for this story to resonate in some meaningful and unexpected ways.

Zak Forsman, writer/director
HEART OF NOW is a quiet and understated debut feature that explores the inclination to define ourselves by the people who leave us. Amber is a young woman with a profound longing for a sense of family. When she discovers she is pregnant, her boyfriend withdraws and moves out while her closest friends insist that she get an abortion.
Abandoned at every turn, Amber willfully seeks a safe haven in Gabe – the father figure that left her and her dying mother a decade ago.
Amber is whisked across urban, natural and emotional landscapes where she descends into a downward spiral that eclipses her moral center and shatters her illusions. Stripped of any possibility for self-deception, she confronts the root cause of her suffering and frees herself of its influence in a brief, transcendent moment at the very heart of now.

HEART OF NOW is the result of an interdependent film collaboration among several artists that worked together in a creatively safe atmosphere where exploration was encouraged at every level of the filmmaking process.
Through dramatic improvisation, the actors were empowered to find their voice and use their own words wherever possible under the guidance of the director. The result departs from what was written in the screenplay, revealing a more honest experience for the characters and filmmakers behind them.
Using that screenplay as a guide, the filmmakers and principal cast collaborated to organically shape the characters, endeavoring to explore the story in-the- moment through guided improvisations.
The attribute of ‘a film by SABI’ honors this journey by crediting authorship to the entire Sabi Pictures family of filmmakers and actors who achieved what no one could have done alone.

“Absolutely Gorgeous” – Ain’t It Cool News
“Poignant and Understated” – Saskia Wilson-Brown, Cinema Speakeasy
“Beautiful” – Todd Brown, TwitchFilm.net
“A Contemplative and Visionary Winner” – Quiet Earth
“A Fantastic Film” – Saskia Wilson-Brown, Cinema Speakeasy
Zak Forsman Continues To Impress – Twitch (6/08/09)
First Proper Trailer For Zak Forsman’s Heart Of Now – Twitch (12/31/08)
Trailer for Zak Forsman’s Stunning Heart of Now – Quiet Earth (12/30/08)
iW August Production Report: Heart of Now – IndieWIRE (8/08/08)
An Interview with Zak Forsman – Rogue Cinema (5/01/08)
AICN: International Eye Candy Column – Ain’t It Cool News (3/19/08)
Zak Forsman’s Striking Heart of Now – Quiet Earth (3/11/08)
Enter the Heart of Now – Twitch (3/10/08)
Back Stage: Who Got The Part? – interview with Marion Kerr (11/23/07)
Download Press Kit – 4.1mb (right-click, save as)
Film Courage – with Zak Forsman and Kevin K. Shah (02/07/10)
Answer 20 Questions – with Zak Forsman (02/01/10)
Film Snobbery – with Zak Forsman (01/05/10)
DVX Talk Radio – on-air interview with Zak Forsman, Kevin K. Shah, Marion Kerr and Zach Sheehan (11/28/07)

CAST / CREW
His stories depict compelling human threads in a poetic and minimalist style. Zak has directed two shorts films, “I Fucking Hate You” and “Model/Photographer” which have won several international audience, jury and festival awards. He is currently developing two new features for production in 2010 and 2011 and serves as editor of the New Breed blog at The Workbook Project. |
produced by KEVIN K. SHAHFilmmakers Kevin K. Shah and Zak Forsman are life-long collaborators. On “Heart of Now”, Kevin’s dedication to fostering a family atmosphere on set allowed for the actors to take risks without fear of being judged for the choices theymade while going to potentially painful places. He guided this production safely through to its conclusion. There would be no picture without him, there would be no Sabi without him. |
edited by JAMIE COBBThe family-like and homegrown nature of Sabi Pictures is personified in Jamie Cobb’s amiable and nurturing spirit. Her tireless contributions and sacrifices for this production have been invaluable. Now, as she embarks on her own journey through post-production editorial, she will be the one to rediscover the story within the material, and ultimately, she will be the magician who frees the genie from its bottle. |
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MARION KERR as “Amber”Marion has distinguished herself as an extraordinarily charming and intelligent professional. She is unyielding in her dedication to her character’s emotional continuity and above all, endlessly fascinating to watch. She is as smart as she is fearless. The hope is that this is just the first of many shared creative endeavors. |
KELLY McCRACKEN as “Gabe”Kelly McCracken is a true artist who will always place great importance on his craft, above all else. He is an intrepid actor who champions and embodies the independent spirit. He will delve deep within a character until he becomes them. And if that were not enough, Kelly can also be counted on to explore any option you lay before him. |
JASON L. BRANDT as “Tobey”Few actors are as commited to digging deep within themselves and using their intuition as a guide to discover the essential truths of their character. Jason’s enthusiasm for the work is ever-present and he is always one to offer a kind word. |
DUSTY SORG as “Edwin”Dusty’s innate sense of comedic timing brings an original flair to a dramatic role that is unlike anything you’ve ever seen. There is no one else quite like him and we look forward to future collaborations. |
MARY ELISE HAYDEN as “Monica”Mary Elise brought Monica to life in her own unique fashion. Her ability to slip right into character and create the appearance of a tangible history with the other characters is amazing. Her scenes are, no surprise, some of the best in the film. |
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JONATHAN EISLEY as “Andrew”Jonathan has over two dozen credits as a stunt performer. Here, he has proven himself a valued addition to the cast. As Andrew, he brought a natural warmth and empathy to his character, creating a genuine human being that previously existed only in words. |
GINA GIAN as “Maggie”Ever-cheerful, Gina brought a heartfelt depth to her character. Her earnest portrayal of a wounded yet hopeful single mother was an absolute pleasure to watch unfold. Gina is currently pregnant with twins and we wish her well. |
ALISON HAISLIP as “Jamie”A Jersey girl transplant, Alison brought her sharpened talents to our film. Her improvization ability is simply on point — smart, real, provocative and genuine. |
LAURA LAURENT as “Philomena”Laura Laurent is a gifted artist. On a previous collaboration, she stole the show with a charming, stand-out performance. Here, Laura realized her character as having an acute awareness of the events transpiring around her, bringing added dimension to our small story. |
JOHN T. WOODS as “Noah”Blessed with a razor-sharp wit, John T. Woods is always down for the cause and a valued collaborator. He also, generously, gave of his time on relatively short notice, and teamed with Heath Centazzo to generate a rich improvisation… on the same day he lost his wallet — which I’m glad to report, eventually resurfaced. Catch John’s breakthrough performance in “I FUCKING HATE YOU“, a short film by Sabi. |
HEATH CENTAZZO as “Jack”Heath has been in numerous stage productions in New York and L.A. and in over 20 independent short films. He graciously came on board with very little notice and executed a wonderful improvisation. |
CYNTHIA YOUNG as “Eloise”Cynthia is a genuine pleasure to have on set. She was graceious, friendly, and took it upon herself to assist in a number of ways beyond her role. |
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ADDISON BROCK III, cinematographerAddison Brock III hails from New Rochelle, NY. He studied filmmaking in Pittsburgh, PA before moving to Los Angeles in 1997. There is little else about himself that he is willing to share. |
ZACH SEIVERS, sound re-recordistZach was brought in from the very beginning, even before the screenplay had been written, to discuss the concept and how sound might play an integral role in the storytelling process. His enthusiasm for sound design has been inspirational. (www.snapsound.tv) |
DEKLUN, musicDeklun’s compositions have grown more melancholy as of late. This tone of a thoughtful, pensive sadness is where his music and this film will find each other. (www.deklun.com) |
AIROM BLEICHER, musicAirom has developed an art form that explores the interaction between thought and emotion. He has been influenced by his psychology education and naivist, expressionist and neo-surrealistic art movements. Airom’s progressive electronic tracks experiment with layered instrumentation and musical improvisation. (www.paintedheart.com) |
KESTER KRUEGER, first assistant directorA true gentleman, Kester is like no other A.D. you will ever meet. He is respected because he is respectful. He sets a tone of urgency without anxiety, and establishes order without tension. When he says “ladies and gentlemen, we’re five minutes away” you can count on it. |
XANDER WHITE, second assistant directorRelatively new to filmmaking, this was Xander’s first feature-length film. He quickly became indispensible to the production’s organization. His speed and efficiency were only outshined by a sardonic sense of humor. |
ZACH SHEEHAN, lighting designerZach was hired to be the film’s lead gaffer, but his expertise and talents quickly elevated his creative contributions to the picture as a whole. He is a true problem solver. Often, it was his discerning eye entrusted to monitor the images we were getting. |
SAM KRUEGER, first assistant cameraThe heart and soul of any production, Sam Krueger is a special breed. He is tireless in his contributiions, whether that be running the camera department, or taking a creative hand in the shooting of this film. “It represents hope.” |
MATT GARRET, camera opThe eyes of this production. More often than not, it’s Matt’s perspective and attention we are witnessing this story through. Just like the actor’s, Matt was often “in the moment” allowing the emotional rhythms of the scenes to organically guide his lens. (www.mushyproductions.com) |
JASON SERRONE, location sound mixerThe mad genius of sound, Serrone’s doctor told him to limit himself to one cup of coffee each day… so he bought a 64oz cup. “Let’s make a movie!!!” |
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NEHA SHAH, unit coordinatorBy far the most popular person on set, because with Neha’s arrival came a delicious meal for the cast and crew. She negotiated, scheduled and organized three weeks of catering from some of the best restaurants in Los Angeles. She kept our stomachs full and our morale high. |
MISSY SHAPIN, wardrobe coordinatorMissy selflessly dedicated her free time to coordinating wardrobe options throughout pre-production. Although her time with us was brief, her contributions lasted throughout the production. |
ALYCE HANS FORSMAN, graphic designerThe director enlisted his own mother, an accomplished and award-winning graphic designer, to create several key props in the film. Thanks, mom! |
STAN YAN, assistant editorA graduate of University of California – Berkeley, Stan immediately spent three long years studying and working in Korea and is now back in Los Angeles to make a name for himself. |
J. ERIK REESE, production assistantThe ever-grateful, J. Erik Reese, a student and filmmaker, brought a rough cut of his short film to his first interview with us. It blew us away simply by virtue of the choices he was making and the type of story he chose to tell. And if for no other reason, we brought him on board so that one day we could say, “we knew him when…” |
JOHN McNALLY, production assistantJohn McNally is our good luck charm. He’s taken time off from work and volunteered his time to each of our last three productions. Thank you, John. We love you too. |
